There is the idea in a
resistive tactic that the phallic is assertive/bold, that it is
responsible for overt suppression of the marginalized and feminine. A
kind of resistance goes against this phallic directly, “blow for
blow,” because there is no shame in going against this phallic; this phallic is naked and overt and so are the resistive forces against it.
Yet there is another side
to the phallic, or another kind of phallic entirely, which is not as
overt, and against which it is much harder to resist because this phallic itself appears feminine, oppressed, marginalized; this phallic is in
appearance on the side of the weak. This is not the phallic of dramatic law
and suppression, rather this is the phallic of the statistical
knowledges, the govermental knowledges in Foucauldian terms,
characterizing the science of government, the knowledges with
population management as the end-goal. This
governmental knowledge is “boring” even as tries to be exciting,
it has a more subdued tone, and it does not overtly challenge the
marginalized. This is the side/kind of the phallic which
has made certain women the head of the family, the user and developer
of the statistical knowledges, the subscriber to the knowledges of
control; they are the good housekeepers, the “Femina women,”
named after Femina, the popular women's magazine in Nepal and in the
Indian subcontinent.
In what we consider to
be quite trivial, that is, in the knowledge of good-housekeeping and
the art of the proper lifestyle, as written out in lifestyle
magazines usually reserved for women, we find the most serious
tactics for the control of the whole society via the nuanced, mellow and silent
control of the household by a driven woman "doing the bills." We need to take seriously the joke that says that men are suppressed
by women within the walls of their homes, yet this does not mean that complaining men are the site from which a rebellion against the “good
housekeeper” is possible. How then to resist the mellow,
whispering phallic which does not pick a fight? One way to begin is
by recognizing that the origin of Femina women is still the male
subject: we have, in the women's housekeeping magazines many
“professional men," such as doctors and cooks and gardeners,
giving vital knowledge and advice, producing the knowledges of control for
women to subscribe to, and so we see that men have flourished as
producers of lifestyle related knowledges, and it is particularly
their usage of the muted tone in their writing, their understanding of the importance
of this subdued tone in their talking with these women, that has made them authoritative
figures for the “good housekeepers.”
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